Sunday, January 01, 2017

Clown Suite






Clown Suite


If I learn to paint existence,
if I keep a Bertold Brecht in my drawer,
(Man is born in the Bertold Brecht of his shirt.
Children's eyes and anxiety knock on his door)
this gulp of Japanese rum would be
just like a son of a bitch rose.

But this small insatiable country
of drunkenness promised us transience,
Pedrito, almost like a back-lit photograph.
It gave us many blank pages and some scribbles.
It also peed in our socks.

That's why I love clowns.
For their contribution to the theory of horror,
for their wide and happy shoes,
and for the Bertold Brecht that redeems the usury
of dwelling in this rough alphabet.

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San Juan, Puerto Rico, Puerto Rico
Sergio A. Ortiz is a Puerto Rican poet and the founding editor of Undertow Tanka Review. He is a two-time Pushcart nominee, a four-time Best of the Web nominee, and 2016 Best of the Net nominee. 2nd place in the 2016 Ramón Ataz annual poetry competition, sponsored by Alaire Publishing House. He is currently working on his first full-length collection of poems, Elephant Graveyard. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Sergio A. Ortiz es poeta puertorriqueño que escribe en inglés y español. Actualmente trabaja en su primera colección de poesía, Elephant Graveyard, Cementerio de Elefantes. Ha sido nominado al premio Pushcart en dos ocasiones, al Best of the Web en cuatro ocasiones, y al Best of the Net, 2016. 2do lugar Premio Ramón Ataz de Poesía, 2016. Sus poemas han aparecido, o están por aparecer, en revistas literarias como: Letralía, Chachala Review, The Accentos Review, Resonancias, por mencionar algunos.

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