Adobo Criollo Sergio Antonio Ortiz Rivera

Era que el tiempo había borrado todo rasgo de dolor y el aire se desmayaba en nuestras sonrisas . Era que la noche perecía colgada como un broche de emociones aladas. Era que estabas presente por encima del ruido ,  y los campos  vestidos  de ángeles  pedían sus retratos. Era que eras mi amigo y tomados de las manos decidimos caminar.  

Note to the Psychiatrist:  The Great Unhappiness The original phallus with annatto and banana leaf taste is lost.  I do not care to contemplate mountains or the sea. Moreover, I desire to chop off the rays of light and cover myself in broken glass.  

Nota al Siquiatra: La Gran Tristeza El falo original con sabor a achiote y hoja de guineo está perdido. No quiero contemplar las monta ñ as ni el mar,  más bien deseo tronchar los rayos de luz y cubrirme en cristal roto.

Almost Dawn I am the call of happy cranes the sigh of the wind around fruit-bearing trees.  And, of course, Sir, I am the perforated nipples that change everything into symbols like the storm in the last stanza of a poem.  I am almost dawn that wants to be broken if only to say something.  And I cannot pay for a book of poetry but I am present in all of them as the dirty billow of abandonment or clear day of dreams.

Soy Soy la llamada de grullas felices los suspiros de viento alrededor de los árboles frutales. Y, por supuesto, se ñ or, yo soy los pezones agujereados que todo lo tornan en símbolos como una tormenta en la última estrofa de un poema. Soy casi alba que se quiere romper  a sí misma, por decir algo.  Y no puedo pagar por un poemario pero salgo en todos ellos como ola sucia de abandono o día claro de ensueño.

Laughter and Clarity He rows with dew oars toward the spot where the wind begins, the remote shore where he grows in undisturbed silence, and stares at the ebbing moon, the color of the world which has not had a cradle of pupils, and cries.

Poem up at THIS - A literary Zine and Guerilla Pamphlets 

You You were the unborn ship of stars a shadow exiting the sound of my death my distant smile my ocean without a currant my thick riverbed my fine sand nobody else but you

T ú Eras navío de estrellas sin nacer sombra salida del sonido de mi muerte mi sonrisa distante mi mar sin lecho mi rio grueso mi arena fina tú y nadie más que t ú

On my first day without you , I’ll wash my face with ice water.  Grab my coloring chalks and paint a woman dressed in red coming out of church.  She’ll be staring into a blue sky with a blank face as the exit walls tremble.   Her womb swollen, and you speechless and unhappy beside her looking for me, eyes begging for absolution. But here I am to remind you, as the earth quakes beneath my feet, absence makes the  mind forget.

On the Death of my Mother I woke up thinking about Sparks and how she still has someone to remember her long calico fur.   How death had poor directions and left that scruffy dog living on the other side of the street sleep until noon while she found a corner of the house on which to lay her cares for good.  I thought about the guilt I felt for not being the perfect son with the large bank account, the mansion, and the sports cars. I shed a few tears when I recalled how you’d caress my face.  It reminded me of Paris and how much I thought about you while shopping for gifts at the wineries.   It was me death should have looked for— childless, flashy, with the sexual appetite, the urban legend,  the one who should be spooking children when they go to sleep for weeks after Halloween.

Este cuarto es un desfiladero de paredes agrietadas y brisas secas que maman los senos de un naranjal . Este cuarto, una pequeña campana, y un bastón sin sangre o sonido  no son nada; Mejor sería ponerlo a dormir .

This room is a mountain pass with ruptured walls and a dry breeze sucking on the breast of an orange grove. This room, a small bell, and a staff without blood, or sound; Better it be put to sleep.

Constant Craving:  Gogyohka sequence 1. No one, I was alone. Alone painting dusk and dawn. Hush lover, hush. Whisper when you’re distant from the formula of your conceited pride. 2. The visions return without threads or needles, only the echo  of poetic voices— my dead are restless 3. tighten the farewell sash.  Night fog is over. Lover, set aside garlands, the rum and drums. 4. Your legs are wide open; a night of unfinished buses crashing on a golf course. 5. I close my eyes frightened of the empty beer cans, packed in that locked closet. 6. Curl on my lips. Hide from the world in the voice of the wind. Lengthen yourself  in my daydreams. 7. We were accidental tourists caught in the conversation of kisses, pure harmony of arms under the effects of a starry night.

Dormir Hoy es difícil decir cómo me siento.   La amargura se pasea como Juana la loca por mis pupilas y ni el medicamento me salva.  Hoy una hormiga recorre las calles de mi corazón muerta del frio, todo es escarcha, todo es escarcha.  Hoy yo mismo me enterraría vivo en el sue ñ o eterno de tu cama.

Absence  A sigh, and nothing els e, would be enough to drop a dish  and start the hammering of the heart. Tonight, however,  the poet tries to say  what all this absence  means.

December There’s a pretty redhead turning tricks out on the street.  Misery and desolation lie with her when she sleeps.  She reaches for her jeans where she hopes to find a dirty old calendar with a circle around December and a bus ticket back to Reims.  When she finds the month is missing she pounces and she screams:  Who pinched the month of December?  Who could have done that shit to me?

Songs for Poems Pretty boy, may God keep you safe from tears in red China Roses, leaf storms in the city of wind, pupils that do not have horizons, or silence set against the sea if they do not ask to exchange music for poems.  Pretty boy, avoid dryness of lips from the traveler that embroiders   temptation with fire on the last train of my calendar.