Adobo Criollo Sergio Antonio Ortiz Rivera

Ebola to the desert where redemption is free ... Ebola, a faraway transparency, a swig of blood, a touch? West Africa just sank into the sea— redemption held up the shredded   faces drenched in tears what comes next, will we see the corpses flying above our heads? this jail inside a jail inside a sinking desert

to the desert where redemption is free ... Ebola, a faraway transparency, a gulp of wind, a sneeze?

high in the golden skyline sunset spreads with such beauty— what am I to become, a hopeful man in a room ?

a child lays his fingers on my hand ... the healing gossamer of a gentle touch

The Second Issue of Undertow Tanka Review is now live.

does my enemy love you—help me ignite this house with an urn  full of air cloudburst and dust

your name  a carafe full of wine— Omar  my world  was uncomplicated, a simple rhythm 

— for Baroness Elsa von Freytag Loringhoven the Nemesis of aging my hip pains when I walk searching penetrating for my memory help I treads with caution final draft bane aging hip pains -- walk penetrating  -- -- -- S. O. S.  memory treads caution

—for Gertrude Stein yes, I was cancelled, an abyss below my bed yet I was cancelled nobody came, no one cared— unknown shore— I’m enraptured

photo by Greg Henry baby I’m your chocolate cream pie… I don’t wanna’ brag, but I’ll be the best you ever had 

photograph by Marlin Shank.                                                Poem by Sergio Ortiz

— April is the cruelest month … T.S. Eliot, The Waste Land it flowered then faded—blurred into the earth like a rose that was never awakened by a hummingbird

The Second Issue of Undertow Tanka Review will be published October 3rd.  The submission deadline for this Issue of Undertow Tanka Review is September 30th.

angel wings   encrusted with black pearls beating upon the sea's furtive shore … a poet’s tears

—for Sylvia Plath he sits beside me and hums old love ballads while an elm leaf floats down the river… is it the miracle of autumn

The Color of Death her skin chips off around the arms like seashells then darkens just above the ankles… a hundred years on the stretcher I visit after the stroke and hear a knelling— half of her body silent gold dust , the other half a silky sorrow

I am an open road the staggering drunk overwhelmed by the sensuous actions of men

you left… so I turned off  the lights autumn sky