Adobo Criollo Sergio Antonio Ortiz Rivera

           I have been trying to go into the forums at Poets.org for a month now.  And I keep getting a message that says the discussion forums are down for maintenance.  And I ask myself, how can discussion forums at The Academy be down for maintenance for so long?  Or is it that I have been band?  I can't imagine why?  The only things I have posted there were a few poems during the NaPoWriMo.  Most of those poems have already been accepted for publication.  I am hurt.  I thought these people were my friends, at least I thought some of them were my friends.              The truth is that certain things should never happen a The Academy, and that if I sound like a small child having a tantrum it is only because I miss posting at The Academy.  I mean, it was the first place that anyone gave me the time of day, why shouldn't I miss it?   I miss it with all my heart. to be...

Nada que Ver Me hablas como si me conocieras, como si acabase de bajarme de tu cama desnudo, como si el desayuno — las tostadas y el café, me impresionaran.  Escultor de cuerpos remachados en bronce, cuerpos abandonados a su suerte en el piso de tu estudio — no te conozco y alternando mis ojos entre la escritura y la lectura rebusco la razón de tu osadía — hablarme como si me conocieras.  Hay distancias abismales, borracheras secas.  Me engalano con lo que yo quiera, túnica, gabán, traje de novia.  Total, no soy tu escultura, ni respondo a los caprichos de cualquiera. ©   Sergio A. Ortiz, June 1, 2010

Dadle la Espalda a lo Incierto Antonio ve, busca la guija,  que es noche de despedidas. No olvides el vino.  Pedro, enciende las velas, que Mara escoja la música. Pongan sus dedos sobre la tabla. Sepan que no se vale temblar al sentir el hielo seco del tiempo rebuscando pozos petroleros sobre nuestras entrepiernas.  Hoy despedimos al deseo, o al amor, su fabula, el friso de su cólera, la sepia dorada de sus malos recuerdos, dándole la espalda. Bajaremos al círculo letrado de nuestros tamices   incrustados en las bocas arteriales de la risa y el adiós. ©  Sergio A. Ortiz, June 1, 2010

Las Musas Inquietantes ¿Madre, en tu segunda muerte quien ata el pañuelo que sella tu boca? Las apariencias descienden con rostro anónimo, musas inquietantes que rondan mi moisés, mi cordura.  Pídele a Ariel te acicale   con ubre de vaca, o baños tibios de sal, pues yo estoy de fiesta. He vuelto a vivir.  Madre estoy vivo. ©  Sergio A. Ortiz May 31, 2010

          I just had three poem accepted at The Blotter Magazine:    "She's a homophobic...," "Of The Boar," and one more poem whose title I can't remember right now.  I will be removing those poems by the end of the day from the blog.             The Blotter Magazine is one of those magazines I follow, like Autumn Sky, Touch, and the excellent journal,  The Tower.  I follow more than just the journals I have mentioned.  Hopefully soon I will be writing about what motivates me to follow certain Journals  Some of which have never accepted any of my poems.   Others where I am certain I will never see anything submitted by me published.  Yet,  to me these journals are making the difference in the literary scene of American Poetry, and in some cases the poetry coming out of Australia and the UK.             I want the editor from Zygote in ...

The Three of Us Poem accepted for publication.  I will put it up when it gets published. ©  Sergio A. Ortiz, May 30, 2010

The Sugarcane Harvest:  A photographic chapbook Sergio Ortiz avantacular press 2010  http://www.scribd.com/doc/32167032/The-Sugarcane-Harvest

Exposed I’ve searched for you again in the rising illusions of three hundred and sixty five dawns, yet none court me like before. The moonstruck magic dissolved inside my unattended plot. Its gardener, exposed within my mirror, tried tricking me with kisses.  From where I stand there is no one to pay for the moon’s washboarding.  Crows and scarabs   have first bids on my mortgage. ©  Sergio A. Ortiz, May 29, 2010

My Knees The months spent by your bedside left me scavenging for healthy bits and pieces of my own body.  A week could pass before I found a foot among the ruins you left at Treblinka. And when it took two months to find an arm I’d crack and fall apart again. Now, I do not bend my knees. My hours are crowded with escaped cocks my mouth shapes  and puts back together with reinforced steel. ©  Sergio A. Ortiz, May 27, 2010

Yes, DMAX sent me a virus early this morning. It is not the first time it does it. Actually it is the third time it does it. They are part Verizon in Puerto Rico and and Claro in Central Americo. As soon as I get a chance I will write a few essays about this in both English and Spanish. Because in reality were do not really have any freedom on this island. And those of us connected to the Internet who have been profiled in the past are still profiled, our telephone conversations are still tapped and everything we do is still scrutinzed. DMAX are the Butt pluggers of the government on this island. But from now on they are fucked with me because they are not going to shut me up. Nunca mas, I am not going to ever be quiet, better dead than silent, that also goes to my religion and to any and all poetry forums that might want to harbor the idea of shuting me up. It is never going to happen.  My computer froze for about an hour and a half.   I could not log into my email a...

There are the forums that act as Moderator schools.  I have hardly ever been to one that has any Hispanics; I will say it right off.  The reason?  Your guess is as good as mine is, but I will talk about my personal experience.  I was at Able Muse for a very short time, constantly under pressure from a female moderator who had read my pm’s to a friend (something she should have never done) that just happens to have my same name, Sergio.  She decided I was trying to seduce him online, virtually, with a poem that I had dedicated to him.  She insinuated in front of the entire community that I was trying to, well, let’s not use the word just yet, let’s say, take him to my virtual bed.  I had no idea where he lived or what he looked like.  I didn’t know his age, and that was important to me.  I don’t go to bed with anyone over the age of 50 or under the age of 37 (actually I have not gone to bed with anyone for years and I don’t intend to do so)....

Then there is the issue of the Journal that never responds to a submission unless it has selected one of your poems.  The truly sad thing about this kind of a journal is that they’re allowed to advertize in places like Doutrope’s Digest.  It makes you kind of wonder if the people managing these literary search engines are, or have ever been, writers themselves?  To me this sends a rather sad  but clear message:  We don’t really care about the writer, or what writers contribute, our interests remain focused on what is convenient to us.  This is the height a self-centeredness attitude can reach, much like a one-sided love affair.  It feels like what I would imagine a battered woman, or man, feels after a beating.  But I’ll bet my right arm and an eye, these journals swamped by submissions.  It’s a sign of our times, we reward laziness and a lack of professionalism among us, in Spanish we say, en el “gremio.”  After all, that is what we ar...

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My Grandfather's old house in Rio Piedras The Suffocated Terrace “El silencio es el refugio de los desvalidos, pero también es la madriguera de los cómplices." Jorge Gómez Jiménez, Letralia a corpse buried under a mound of coconuts at the hour of the early breeze the red ground where heat and light are born like eggs with chorizo the stench of vomit a dead man’s journal I opened and read the first entry today I went to talk about my pension plan with the people at the suffocated terrace and it was like a revelation like walking down the steps of a twisted scar to the crack at the bottom of my back the journey was sprayed with vinegar I remembered grade school we had better toys and our shoes were made of leather hardly anyone complained about their DNA or taxes and I was single a kid but I paid taxes nothing like I do now to the same people at the suffocated terrace should I say suffocating or call it The Suffocate is it a terrace now that it’s walled and...

They Murmur This poem has been accepted for publication. ©   Sergio A. Ortiz 22 de mayo del 2010

Submissions and the online workshops: In preparation for flying on my own!  Part 2 Of course, whom these poets / moderators favor in the forums change.  They are seasonal just like everything else in the macro - micro cycles of our contingent existence.  In some cases, and I say it only because I have seen it happen, even the moderators are replaceable.  Loyalties change with the rhetoric that goes on behind closed quarters.  In some cases, the result is very destructive.  I remember that brilliant woman, an excellent poet, a so, so moderator, who disappeared for a few months because of cancer -- only to come back and find she had been replaced, permanently replaced.   The reason?   Now, that I have had time to reflect on the issue, I realize she was not applying that push for a mainstream poetics in the forum.  The excuse, she had forgotten to fill out some paperwork while she was recovering from therapy. I have no idea if sh...